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..:: CONTENTS ::..
   Volume VII, Issue I

..:: POETRY ::..


..:: PROSE ::..

..:: ETC ::..
   Contributor's Notes

..:: ARCHIVES ::..
   Volume I, Issue I
   Volume I, Issue II
   Volume II, Issue I
   Volume II, Issue II
   Volume III, Issue I
   Volume III, Issue II
   Volume IV, Issue I
   Volume IV, Issue II
   Volume V, Issue I
   Volume V, Issue II
   Volume VI, Issue I
   Volume VI, Issue II

 
Poetry


31 branches: 1-5
Andrew K. Peterson

"The differentiated intervals of time erased by each citizen's heartbeat and the articulated openings measured out in the space of the world are the dimension in which the written-read, imagined-realized, deserted-fulfilled is enacted."

– Daniel Libeskind
The Space of Encounter

*

(1)

A magic
discipline

black boundary
goes
of means

winnows
on land
All cultivation:

Future
ture)   gloomy
vards.

cial will like
phorous
pull

light
property
with
light
streets —

will
holidays
earth
stars? —

lapsing
between aways

" There
America "

science aback
raving
break will.

warm, gliding

 

(2)

together by
towards
its always

together
straining runs
tears

over. I
Such of a
secret

found
maintenance
in ceaseless

will
of the
para-
will

the original state
what

involved,
emotions,
ideas,
I?

Friends
kinds
that
been
sounds,

gestures —
am ancestors, —

of milk
rhymes,

a state of
present
voracious,

slightest
larval

 

(3)

that pond
apparently

overlooks
only myself

row the
dawn
moon
from small
darknesses

at the
the distance

sign
moves
roosts

last
nearby
chirps, per

haps

the
distance
singing

in
robin
lit
areas

phrases —
the H
in below

so intri-
(towers)
cate
ears and
too, details
how

the time, see
the paras-

see a half-
second

 

(4)

(60 x 51 in.,
Climate of New York)

Hans-
sun
York
to themselves

astonished
not at
desire,
found.

What
was,
to them,

autumn
chill barn

 

(5)

Unjustifiable
grave as
figures, re
lease
dead,
figured.

suggests who
political
which of

in is of
spec-   to
dead.

Decentering
proper where
the mythology:

traces institutional
con-
is spectral.

its issue
in... Blind...
October

entitled
which accompany
Louvre
Louvre drawings

 

 

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